Pro­duc­ing con­tent on the Web since 1995.


some say­ings of ר‘משבצונה“ל

For many years I have worked hard, and strug­gled with mas­ter­ing virtuous. Now, in addi­tion, I’m work­ing on becom­ing more virtual.
This is an expres­sion of that effort.
* * * * * * *

השיבנו ה‘ אליך ונשובה חדש ימינו
כעוד לא היו
* * * * * * *
ומביא גאלה…
לצאצאיהם

Add to Technorati Favorites

twitter / rebmark

Bookmark and Share

All pho­tographs are by Mark Hurvitz unless they are obvi­ously not.

The pho­tos in the ban­ner at the top (only a shal­low sliver of a much larger photo) are either from our home or our trav­els and are offered for their beauty alone (though a brain-teaser for me: “Where was that?”).

davka flickr

st. paintings

At least three col­ors of painted mes­sages on the pave­ment. By the time there are three col­ors that fit within the photo, none can have any “mean­ing” what remains is the pattern.

davka flickr

3 pavements

Three pave­ments poured next to each other (con­tigu­ous), but not at a prop­erty line.

Hiroshima 広島市 Day ☮

The first nuclear weapon “Lit­tle Boy” was dropped on the city of Hiroshima on Mon­day, August 6, 1945.

nuclear disarmament lapel button

nuclear dis­ar­ma­ment lapel button

call­ing for nuclear dis­ar­ma­ment then

I have a clear mem­ory from long ago, some­time around 1959: walk­ing with my fam­ily down Hol­ly­wood Boule­vard, some­where near Vine. We were part of a demon­stra­tion call­ing for nuclear dis­ar­ma­ment, prob­a­bly orga­nized by the Com­mit­tee for a SANE Nuclear Pol­icy. At the time, we were con­cerned not only about the pos­si­bil­ity of blow­ing up the entire planet, but with atmos­pheric nuclear tests we were aware of Stron­tium 90 and its poten­tial for dam­ag­ing our bones through the milk sup­ply. There was even a lit­tle “ditty” at the time (I can­not find the source, though oth­ers on the Web quote it):

Stron­tium, Stron­tium, Stron­tium 90
Fall­out will get you even under­ground
So if you want some Stron­tium, Stron­tium 90
There’s plenty enough to go around

It was then that I first encoun­tered the Nuclear Dis­ar­ma­ment sym­bol now known as the Peace Sym­bol. I prob­a­bly received a black and white lapel but­ton with the draw­ing on it at that time. I wore the but­ton through­out much of my years at Audubon Jr. High School and Dorsey High School. Then the sym­bol was a polit­i­cal state­ment and rarely seen in any other con­text. Now the sym­bol means lit­tle; it is a com­mer­cial prod­uct and per­va­sive. (It is so per­va­sive that there is even a Uni­code char­ac­ter for the sym­bol ☮. Its value is U+262E, in case you want to type it in HTML, use “& # x 2 6 2 E ;” or “& # 9 7 7 4 ;” with­out the spaces. How­ever, it is pos­si­ble that par­tic­u­lar Inter­net browsers may not have a font that can dis­play it.)

pervasive commercialized nuclear disarmament symbol

per­va­sive com­mer­cial­ized nuclear dis­ar­ma­ment symbol

I had both the more com­mon white sym­bol on a black ground illus­trated here and the inverse (both about the size of a nickel). My favorite was about the size of a dime; its col­ors were a black “ND” on a white ground. The bomb­ing of Hiroshima was an impor­tant meme in our family’s clus­ter of sig­nif­i­cant thoughts. (The Win­ter Sol­stice and the Indus­trial Rev­o­lu­tion as well as the Destruc­tion of Euro­pean Jewry by the Nazis were prob­a­bly the other three cen­tral con­cepts.) That same year, 1959, Edita Mor­ris wrote her novel The Flow­ers of Hiroshima. The John Hersey book based on his arti­cle in The New Yorker Hiroshima was also on our book­shelves. How­ever, my read­ing abil­i­ties at the time were not up the Hersey text. The novel was easy to read and grip­ping. Our father had also read the novel (it was he who brought it home and put it on the pub­lic book­shelves). He was so taken by the imagery that a few years later he wrote the lyrics to a song for which he asked me to write the melody.

Music for The Flowers of Hiroshima

Music for The Flow­ers of Hiroshima

The Flow­ers of Hiroshima

words by Nathan Hurvitz PhD
music by Mark Hurvitz
copy­right 1963

Have you seen the flow­ers of Hiroshima?
The twisted pansy with its ugly face,
The asters petal like a shred­ded lace…?

Have you seen the birds of Hiroshima?
The robins and the spar­rows who can’t fly,
Their foul and dirty nests whose eggs are dry…?

Have you seen the trees of Hiroshima?
The plum and cherry with their with­ered fruits,
The pine and cypress with their shriv­eled roots…?

Have you felt the breeze of Hiroshima?
That blows the poi­son dust both low and high,
Upon the bar­ren ground, across the sky…?

Have you seen the chil­dren of Hiroshima?
Who pick the flower with its ugly fact,
Who try to catch the bird who can­not fly…?
Who climb upon the trees with with­ered roots,
And breathe the poi­son breeze from which they’ll die…?

Mark sings his song

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Down­load the lat­est ver­sion here. You also need to have JavaScript enabled in your browser.

a later pil­grim­age of peace

Many years later, in either 1972 or early 1973, our par­ents were able to travel to Japan for a pro­fes­sional con­fer­ence. Among the must-visit sites on their list (includ­ing a Japan­ese Kib­butz on Hokaido Island) was Hiroshima.

Faye Hurvitz with Paper Cranes in Hiroshima

Faye Hurvitz with Paper Cranes in Hiroshima

The origami crane had long been, or become a sym­bol of peace in Japan. I had learned how to fold the crane as a teenager. This was a sig­nif­i­cant pil­grim­age for the family.

the com­plex­i­ties of Mas­sada and Sam­son

As I reported here on July 17 2009, I attended a rally to try to pre­vent Iran from devel­op­ing nuclear weapons. Even though I might be will­ing to sup­port the devel­op­ment of nuclear energy for peace­ful uses I still work toward uni­ver­sal nuclear dis­ar­ma­ment.

And what (if I can antic­i­pate your ques­tion) of Israel’s “nuclear ambi­gu­ity”?

There does not seem to be much value in hav­ing nuclear weapons. They may exist for a MAD (Mutu­ally Assured Destruc­tion) pur­pose. And yet, many peo­ple tell me that Israel’s ene­mies don’t care about MAD, because they (as well as dis­pen­sa­tion­al­ist Chris­tians) believe that they will be in “a bet­ter place” after the destruc­tion. For those of us who believe that it is this world that counts, our task is to avoid such a destruc­tion. And then there’s the argu­ment from deter­rence. If Israel’s ene­mies are “MAD” enough to risk such destruc­tion, then, there is no deter­rent value in any nuclear weapon.

I’m not a par­tic­u­larly gullible per­son. In the early 1980s I worked with Yitz Green­berg. He would often refer to Elie Wiesel’s account in Night. Green­berg would bow his head, almost close his eyes and in a near whis­per, say that at one point dur­ing the Sho’a babies were tossed live into the cre­ma­to­ria in order to save the (approx­i­mately) 2¢ it would have cost to gas them first. Faced with accounts like this, I tell peo­ple that I can believe anything.

Once I under­stood that I could believe that any­thing is pos­si­ble, I real­ized that I should be able to attempt to imag­ine the impos­si­ble (or at least the “highly unlikely”), as a form of exer­cise, to pre­pare myself.

Some­time since 1967 or so I con­sid­ered the pos­si­bil­ity of dis­play­ing an ambigu­ously non-existent nuclear device in the Kotel plaza. Think of the var­i­ous state­ments that makes.

ambiguous nuclear device in the kotel plaza

ambigu­ous nuclear device in the kotel plaza

Con­sider also the like­li­hood of a nuclear attack by one of Israel’s nuclear-armed ene­mies. Unless, of course they are com­pletely MAD, in which case noth­ing we might do would have any affect on their actions, why would any coun­try that wants to destroy Israel with a nuclear device also be will­ing to:

  • Destroy the entire Pales­tin­ian Arab population
  • Destroy the holy city of Jerusalem (Al Kuds with its mosque and shrine)?

We can assume that a mod­ern nuclear device (i.e. sig­nif­i­cantly larger than “Lit­tle Boy”), even if dropped on Tel Aviv, would destroy much of the sur­round­ing area and make it unin­hab­it­able for a sig­nif­i­cant amount of time.

little boy, the bomb dropped on Hiroshima

lit­tle boy, the bomb dropped on Hiroshima

What does any­one gain?

call­ing for nuclear dis­ar­ma­ment now

You can find Hiroshima Day com­mem­o­ra­tive events near you.

beside the Isaiah Wall in Ralph Bunche Park, across the street from UN headquarters

beside the Isa­iah Wall in Ralph Bunche Park, across the street from UN headquarters

For the past cou­ple of weeks, I have been wear­ing this lapel but­ton. It was pro­duced in a vari­ety of for­mats (litho as well as cel­lu­loid; black instead of blue; and as illus­trated here, but with the Isa­iah quote in red).

nuclear disarmament symbol with שלום

nuclear dis­ar­ma­ment sym­bol with שלום

Date: late 1960s
Size: 4.4
Pin Form: straight
Print Method: cel­lu­loid
Text לא ישא גוי אל גוי חרב
שלום
לא ילמדו עוד מלחמה

[Eng­lish: Nation shall not lift up sword against nation
Peace
Nei­ther shall they learn war any more.]

An Appen­dix to the Vision of Peace

The words of Yehuda Amichai

(trans. from the Hebrew by Glenda Abram­son and Tudor Parfitt)

Don’t stop after beat­ing the swords
into ploughshares, don’t stop! Go on beat­ing
and make musi­cal instru­ments out of them.
Who­ever wants to make war again
will have to turn them into ploughshares first.

…and turn the bomb cas­ings into tree planters.

or…:

Leave a Reply

 

 

 

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>